Burutapen's insight:
Visiting the BP Portrait award last Saturday felt , as it generally does, like taking a journey though time. A journey that took me back to my student years when , freshly arrived to the UK, I decided to submit and entry titled "Mad cow".
The entry, a self portrait, featured a mug (with the words on) with the tired eyes of an architectural student gazing back at the viewer. It was a portrait that I still like because of its honesty, but in truth rather amateurish. I must come clear and confess that I never imagined to be in with a chance to win any of the awards.
All I wanted was the chance to be featured at the exhibition. More than ten years on , after seeing the level of entries rocket year after year , I could not imagine having the same level of audacity now. There would be a lot to discuss in the context of this year's edition but I will choose to focus on the winner: The man with the plaid blanket.
As an architect born to a "normal" family and raised in a estate built by the fisherman's cooperative that my grandfather belonged to, I am a strong believer in society as a micro cosmos where by each person plays an important role.
I therefore struggle with topics such as displacement of the population and gentrification. The greatness of this year’s winning portrait, which I would have liked to title “The age of man” , lays in portraying this message in a restraint yet powerful way.
The composition and scale are remarkably well considered in the artist’s attempt to elevate the humble origins of its subject to the status of a worthy work of art that will make everyone reconsider our relationship with one other. This, to me, is a painting that I have promised myself to never forget.
